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A female ferret will die if it goes into heat and cannot find a mate. (nature's case for a one-night stand)

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Archive for Denver Music

Photo Courtesy of Luiz Felipe "L8" Leite's Flickr Photostream

Photo Courtesy of Luiz Felipe "L8" Leite's Flickr Photostream

In 1982, I was ten. The proud owner of my first AM radio/cassette jam box and a fervent voter for the radio station that would play each day on the bus ride home from school. From days of thighs sticking to green vinyl seats piped in white as I waited for my stop in the sweltering Houston heat to sitting on a barstool in Denver, Colorado (gimp leg propped-up on a partner-in-crime’s lap), I never thought I’d see the man who sang of the mysterious Vegemite sandwich over the crackly bus speakers sing those words live. But last night, I did.

Colin Hay, former front man of 80s sensation Men @ Work, stopped by Denver last night, selling-out the Soiled Dove Underground in Lowry. Much like the Arc Angels show I recently caught at the Bluebird, I scored tickets and didn’t quite know what I was in for. Having been a fan of Colin’s long-ago hit machine along with many of his tunes made popular by the series Scrubs, I had no real knowledge about the man behind the music.

No more.

Holy shit, this man is funny. A master storyteller (glaringly apparent in his lyrics), our group was amused by tales of watching Batman buy coffee (as only a Californian could muse, “Ah, there’s Batman. He lives here, too.”), his laser-like precision in dealing with random (and irrelevant) audience remarks with a devilish school boy grin and tales of touring with Ringo. The entire show was more like an intimate Sessions or Crossroads taping than a concert, an artful weaving or stories and songs that still have my head swimming and soul humming today.

And his band. I had just as much fun watching his lead guitarist stroke his series of guitars like a lover at dawn,  each note picked and strummed returning his touch. Fucking sexy to watch and I was glad someone was rubbing my gimp foot for the better part of the show (gratuitous and self-serving, maybe, but you can’t really masturbate in public, now, can you?). Guitarist aside, there’s no one in that band that doesn’t contribute to the bottom line and it’s pretty evident that they roll together like rice and raw fish in their purple and silver tour bus. While it’s not the Gulfstream IV of Colin’s days touring with Ringo, I think the bus suits them much better. And there’s not an ounce of pretension held-over from being a chart-topping 80s band in Colin’s show – his sense of humor permeates every note played. He’s a man who can laugh at himself  - and you’re left with no choice but to surrender and laugh with him.

Personal faves from last night’s show are:

Waiting for My Real Life to Begin

I Just Don’t Think I’ll Ever Get Over You

Beautiful World

There’s Water Over You (on his new CD, American Sunshine – release date 8/18/09)

How often is it that your childhood collides with your adulthood and you’re left feeling, if only for two hours and fifteen minutes (!!), like Lily Tomlin sitting in that big-ass rocking chair, feet dangling above the ground? Wide-eyed, open eared, afraid to speak for fear if you do you’ll miss the sweetest note of the show…it was everything I could do to go to the bathroom ten minutes prior to the show’s end. Christ, I had to go – thankfully, the acoustics at the Soiled Dove Underground are hear-the-show-while-you-pee good.

I tasted Vegemite once and hold firm in my belief that it’s crap-flavored sand, but there’s no crap in what Colin Hay’s putting out these days. For this audiophile, Colin’s songs are a beautiful blend of lyric mastery mixed with a solid assembly of collaborative, kindred musical spirits who have no problem say it, “Fuck it. Let’s play.” Add an underlying smile and you’ve got what’s the best part of Men @ Work – the man who’s still at work twenty-seven years later.

The Arc Angels

The Arc Angels

This past weekend, the universe was looking down on me and rewarded me with a most awesome invitation to the Arc Angels concert at The Bluebird. Not only would this be my first concert at The Bluebird, but my first time seeing this famed Austin project in action. A rabid Stevie Ray Vaughan fan, the band includes Doyle Bramhall II and Charlie Sexton, both of Double Trouble fame. I don’t get out to see live music as much as I would like, and the concert had several pretty kickass things going for it:

  • The Bluebird has some of the best acoustics of any live venue EVER.
  • Moreso than watching a concert, the night was more like a audio peepshow watching friends jam in someone’s basement. The ease and comfort the band displayed was really a treat to watch. It was akin to catching a glimpse of a star on the rise, knowing that you’re poised to be one of those people who will one day soon say, “Yeah, I saw those guys when…”
  • The “people watching ” aspect of the evening was simply outstanding. My companion and I scored primo seats sitting ON the bar in the balcony as were surrounded by people of an age that almost made me feel like a poseur for actually knowing some of the band’s history and digging their style. Though I lost the bet on when the post-middle aged guy directly in front of us would again break out into a raging air guitar solo, we got an intimate lesson on white sneakers, tube socks, wallet chains, black jeans, and bluetooth headsets.  It was fucking AWESOME and the fodder for much laughter. Whoooooooooooooo!

As in my previous mention of Denver’s Hot Robots, no band likes the “comparison” that identifies their music to the unfamiliar. Yet if you’re looking to add something to your iPod, the Arc Angels will fall into your classic Southern Rock category with a fine dash of polished blues, laced with a much-welcomed gritty edge. Think of them as the band whose CD you found on the floorboard of your car in a case that’s beat to shit and you slipped then into the dash with a modicum of curiosity.

And five years later (or in this band’s case – seventeen…it’s been that long since their last release), the CD is still in your staple rotation.

They’ve got a new album in the works and they’re launching a DVD this year. If you have the chance, check out their stylings or catch a show in a venue near you. As a gal who remembers that she was sitting in her Advanced Political Studies class in August of 1990 when I heard the news that Stevie Ray Vaughan had died, I’m glad that a part of his music lives on and has gone on to contribute to the groove that IS Austin, Texas. For some true Stevie-like stylings yet with their own brand of memorable riffs mixed in, check out their recording of Shape I’m In.  I don’t much fuck around when it comes to music. You won’t regret giving this Austin phenom a listen and/or viewing.

***Special thanks goes to my concertgoing companion who made sure I didn’t bust my ass on the stairs and for spotting the bar for my gimp girl self to sit on.

The Hot Robots: Cool as Fuck

The Hot Robots: Cool as Fuck

Telling a band they sound like someone else is akin to having the guy/gal you’re dating say: Holy shit, you’re totally like my ex-. I mean, I’m still totally friends with him/her! They’re so freakin’ RAD!

Yeah. They’re still you’re goddamn ex-.

Welcome to the brand-spankin’-hire-a-dominatrix-to-whip-your-ass section of Redheaded Fury called THINGS THAT DON’T SUCK. This is the first entry because I found something this weekend that didn’t suck. Hot Robots.

Most of you would never guess, but I’m a Goth Girl Gone Good. I had lyrics from 7 Seconds and Dead Milkmen painted on my wall (along with a self-rendered portrait of Robert Smith – w00t!) during my Angst Days. I still find it difficult to deviate from black as a wardrobe staple. With affinities that range from gangsta rap to standards from the Rat Pack era, my passion is still pulsating rock that makes my sweater kittens jiggle just a lil’ bit.

I strolled down to the Meadowlark here in Denver on Saturday night to kick it and take in some of the local music scene, a first for me since moving here over 5 months ago now. While I pulled a “dumbass” and went to the Larimer Lounge first, I eventually ended-up in the right locale. With its speakeasy-like downstairs access, I was instantly charmed and hoped that my “interior experience” would equate.

While the band prior to my newly discovered droid-generated musical porn was more of a Barenaked Ladies with an extended kitsch factor, I was granted redemption shortly thereafter by the Hot Robots. As I’m beholden to giving you the X-meets-Y-will-it-blend take on their brand of tunage, I’ll tell you it’s not at all what I expected. They’re The Jets meet Cold War Kids. A little bit of Fallout Boy thrown in the blender with the Psychedelic Furs, but without the annoyingly haunting undertones. Glasvegas without the stupid-ass name. Four guys, talented as fuck whose drummer instantly captivated my twisted sense of humor with his “Curves for Women” t-shirt. Seriously – does it get any better?

Bottom line? They don’t suck. I’m an audiophile, a snob, a bit of a nostalgic and serious bitch when it comes to what makes it onto the “car trip” CDs. These guys are there. While they may describe themselves as “pop,” I truly beg to differ. While I’m not advocating the use of illicit drugs, I’m just sayin’ that they’re like the buzz one could hypothetically (I’ve heard) get off a bump of coke that’s not cut all to fuck with baking accoutrements. Skip the blow and go droid. In the opinion of The Redhead, it’s the same mind-blowing buzz without the shitty side effects or possibility of incarceration.

Check out the Hot Robots MySpace page for upcoming gigs and some tunes. Give their tunes Break and Dandelion a listen or just buy their new album “Built to Tilt.” Call me crazy but I just love that there’s a big silver ball on the cover that looks like it’s going to roll over and crush some twisted Vegas casino landscape. So, I’ll apologize now for comparing the Hot Robots to all of my ex-musical lovahs. I’m still friends with all of them.